Cutting list for canvas including 2" for seams.
A 60" x 24' 5" x 3 pieces...........Main tent
B 60" x 10' 6" x 2 pieces...........These get cut into 2 diagonally
C 60" x 9' 6" x 2 pieces .............These get cut into 2 diagonally
D 36" x 15' x 1 piece....................Ridge cap
E 60" x 12' x 8 pieces...................Flaps
F 12" x 11' 41/4" x 2 pieces.....Weather flaps
Cutting list for the wood (2'' x 4'' or round natural poles)
1 ridgepole @ 16' (2 @ 8' spliced with a metal sleeve or lap jointed
and bolted together)
2 tent poles @ 8' with a metal spike that goes into the ridgepole,
although we know this is not historically correct. It has been suggested
that a simple loose mortice and tenon joint could have been employed. We
added a third pole in the centre to support the spliced ridgepole.
You will also need two extra poles , not necessarily 2" x 4", to support
the side opening, and two double guy ropes. A third pole, slightly longer
than the other two, used in the centre of the awning will help to divert
any water sideways and away from the geteld.
Ties and tent peg anchors
Historically it would appear that rope was probably used for the tent
peg anchors. We chose to use webbing for our anchors, approx. 50'. This
gives you one anchor every 18" @ 6" per anchor. We used 3/4" cotton twill
tape for all closure ties, and two different weights of webbing. the lightest
for the ridgepole ties and the heavy duty for the tent peg anchors.
Twill tape for ties, approx. 100' per tent. ties 12" long.
Tent pegs about 46. This seems a lot but remember that the canvas acts
as the stabilizing force and you do not need any guy ropes (except when
you open the side).
Ridepole cap.
Looking at some modern reproductions of getelds it appears that a tube
through which the ridgepole passes, is created by stitching along the top
of the tent(see figure 3 ). This in our opinion puts all the stress onto
the stitching and not onto the canvas. From historical research it seems
to us that a separate ridgepole cap was added over the top of the existing
geteld, (see figure 1) We decided to use this method.
This cap, will be attached by ties to the main tent canvas, and at
each end of the ridgepole where it projects outward, it will also be tied
down. This will ensure that any gap created by the ridgepole passing through
the canvas, will be protected from inclement weather. It was commented
that perhaps these two holes historically gave ventilation in case of a
small fire being used in the tent.
General information.
Canvas.--We used 14 oz. pre-treated canvas, that is water, and
mildew proofed and flame resistant. You could use untreated canvas waterproofing
it yourself but as yet I have not heard of anyone having success in doing
this. Our advice is pay the extra and get it pre-treated. Roland Williamson
(Regia Anglorum UK.) feels that too many white canvas tents tends to create
a boy scout looking camp; he has a red ochre geteld. We chose to purchase
a yellow ochre coloured canvas. Make sure that you have good quality strong
canvas because it's strength is what holds up the geteld. When designing
we took into consideration the dimensions of the fabric, ie. it was 60"
wide so we made a two or three paneled geteld. Remember, selvedges don't
fray.
Seams--We initially allowed two inches for all seams although
in retrospect we feel that perhaps this was excessive. We would recommend
a half inch on one side with one inch on the other, to make a half inch
folded seam.
Poles.
It certainly helps in creating a more historical look if natural round
timber poles are used rather than commercial two by fours. (Note- pine
is better than spruce.) I personally used round cedar posts throughout,
they are both light, strong, and reasonably rot resistant. Our ridgepole
is spliced and bolted together giving us easier to manage lengths for transportation.
Tent pegs.
Manuscripts suggest that both iron pins and wooden pegs (ash preferably)
were used and even stones to hold the tent down. (Utrecht Psalter 9th.C..
see fig. 1)
Erection.
To erect this tent we use the following scenario. We lay out our 15'
x 25' tarpaulin on the area in which the geteld is to be erected. This
gives us the location for the first stakes. Unfold the geteld and put in
stakes at the four corners of the side panels and the centre seam of the
bell ends. The ridgepole is bolted together and passed through the inside
of the geteld. The two end posts are fitted into the ridgepole (you are
now inside the geteld). One or two people per post simply lift up the ridgepole,
supporting posts and geteld until these posts are vertical. The central
pole is now put in place. At this point the geteld is self supporting.
You now go around putting in all the other anchor pegs.
Having used numerous tents and being constantly appalled by the vast quantity of poles, guy ropes and extra canvas required for most period tents, it is a constant pleasure to have such a simple and versatile geteld. It is in my opinion the best tent we have ever used. (See fig.4)
Sewing instructions .1
Pre-assemble ( sew ties on, turn edge seams etc.) as much as you can
prior to actually sewing the pieces of canvas together; it makes for easier
handling later.
Premeasured and mark out all your canvas using a chalk line prior to
beginning sewing.
The following is the order in which we actually made our getelds.
1) Sew onto the three individual "A" sections the following.
a) Inside ties for the ridge pole, backed by an extra piece of canvas
for strength. These ties should be six inches down from the centre line
on the "A" sections and at twenty inches apart and at all seams.
b) On the outside, the ties for the ridgeole cap. Because these may
take more stress we created a false seam by folding the canvas and inserting
the ties into this fold, this ensures strength. Again, twenty inches apart
and at all seams. These are placed fourteen inches down from the centre
line.
Note. the ties at the seams are added when stitching the "A" sections
together.
2) Sew the "A" sections together (adding ties at seams).
3) Sew the anchor webbing ties for the tent pegs on both bottom edges
of the sewn together "A" sections. These should be eleven feet two and
a half inches from the centre line. Again we created a false seam and inserted
our webbing ties into this seam. You finish up with three thicknesses of
canvas at this point, plus the webbing. These anchors take all the stress.
The loops of these anchors are inserted into the folded canvas from the
bottom, with the loop downwards, thus the stress is on the canvas and not
pulling against the stitching. The important measurement here is the length
of the canvas going over the ridgepole and making the "A frame", ie. 22'5"
that is eleven foot two and a half inches from the centre line both sides,
we have allowed an extra 12" per side for the weather flap. Some of this
will be used when creating the two false seams. So the weather flap will
not now be 12", don't worry about this, it's the eleven foot two and a
half inches that is important, whatever is left over will be the weather
flap.
4) Hem the bottom edges of the joined "A" sections.
5) Weather flaps (11' 4 1/2" x 12")x2. These are the ones that tie
onto the side opening. (they are sewn onto the bell ends later). Turn and
sew the edges, and at the same time insert into the long seams the cotton
ties 18" apart for closure. By stitching into the seam you create much
greater strength. I suggest that all seams should be turned to the inside
of the geteld . When measuring for the placement of the ties start from
what you decide will be the top of the weather flap.
6) Bell ends.
Sew two section "C" together, and then on either side of these, add
one section "B". Do this twice and you now have the two bell ends. The
important measurements here are the two outside edges of the "B" section,
134 1/2", and all the four panels are 54" wide at the base. We have allowed
extra for seams . Ensure that you have pre-measured and laid down your
chalk lines prior to sewing.
7) Weather flaps for the bottom of the bell ends. (54" x 12")x8
Turn and sew one long side and both ends of each of the 8 pieces. You
then sew one of these weather flaps onto each of the four pieces that make
up each of the bell ends, and, at the same time you add the anchor webbing
for the tent pegs. These are 18" apart and also at each seam. (Where "B"
and "C" sections meet). As before they point downwards and are stitched
into the seam. The anchor webbing ties are approx. 6" of webbing each.
8) Weather flaps for the side opening. (Pre-assembled) There is one
per bell end. Ensure that you have them arranged so that the seams on the
bell ends are inside. These flaps start about 18" down from the apex of
the bell end and go right down to the bottom. This provides clearance for
both the ridgepole cap and the side opening. Note. Make sure that when
sewing these flaps on that the ties on the edge being sewn to the bell
end remain outside the geteld. You now have two completed bell ends.
9) You now sew the bell ends onto the main canvas. Start at the bottom
and line up where the false seams and anchor tie line meet. (We did not
stitch the last 6" at the top when joining the bell ends to the main canvas,
this allows the ridgepole to pass through the bell end. The resulting triangle
of canvas was folded over inside and stitched down. This not only finishes
it off neatly but adds greater strength. You still need to turn the edges
of the "A" section for the last 6" at the top). You will need to sew a
double line of stitching as you will have done on all seams. When sewing
the "B" sections onto the "A" sections you stop 6" from the top centre
line, and then start sewing again 6" down the other side for 18" only,
this allows your geteld to have a side opening feature.
10) Closure ties. these go into the edge seam of the "A" section that
lifts up to form the side opening awning. Because of variables in making
seams, and the canvas stretching on the diagonal cut, we left this until
the last. What we did was to lay out the geteld and use the already sewn
on ties on the bell end as our measurement to ensure that they corresponded.
One set of ties goes into the turned edge of the awning, whilst a corresponding
set are sewn in 12" from this edge but on the inside of the awning.
11) The ridgepole cap (180" x 36") From the centre of this canvas make
a false seam 14" down on each side from the centre line, and into this
fold sew in your ties. these are 20" apart and should correspond with those
already on the "A" section of the geteld. After this, turn and sew all
edges.
AT THIS POINT AND ALL BEING WELL YOU HAVE COMPLETED YOUR GETELD.
Foote the Potter.
Please note.
For members of the S.C.A. there will be a few getelds based upon these
plans at Pennsic 2003. Should you be interested in getelds you are welcome
to drop by at merchant space No 7 "Feat of Clay" (on Bow St.) where Foote
the Potter has his geteld..
The dual personas of Baron and peasant allow Foote the Potter to take
humorous advantage of most situations in which he finds himself.
David Clarke is a professional potter and sculptor having retired from
a teaching career in the visual arts.
(grainney@sympatico.ca).
Sources.
Photo's from Regia Anglorum UK. Figures 2 + 3
Photo from Mary Clarke (Grainne du Bois D'Or) Fig. 4
References.
Regia Anglorum UK web page files (http://www.regia.org/)
Utrecht Psalter (Fig.1)
Rolli (UK Regia Anglorum) historical research/ref. (yolli@lineone.net)